He was criticized by many Christians for his controversial movie "The Last Temptation of Christ," but a new review of Martin Scorsese's work paints the director as one of America's most Catholic filmmakers.
Even beyond "Last Temptation," Scorsese has rarely achieved widespread acceptance; his films are often called too dark and tragic for general audiences. Movies like "Raging Bull" and "Gangs of New York" can seem bleak for bleakness sake -- offering nothing more than a downbeat take on a cynical world.
But in the July edition of Harper's Magazine, Vince Passaro writes passionately about how Scorsese's strong Italian Catholic upbringing lies at the heart of the stories he tells on film. In interviews, Scorsese has admitted that one of his great themes is betrayal -- and Passaro notes that in each movie, Scorsese's turncoat ends up alone, isolated from society, a Judas who pays a heavy price. More than that, Passaro writes, Scorsese's tragic figures demonstrate "what becomes of men who are separated from God, men who are lost."