The Peasants' Revolt of 1381 can inspire us to confront the problem of wealth disparity today. So why does Paul Greengrass' new movie feel more like a warning?
Bubba Weiler's off-Broadway show is about two eighth-grade altar servers whose encounter with a homeless man in the church leaves them asking questions about Catholicism, God and, ultimately, themselves.
The producer, rapper, husband and father has been on a spiritual journey for several years, culminating in his conversion to Catholicism this year at the Easter Vigil.
A group of altar boys, frustrated by the indifference of the adults in their Catholic parish, decide to wire the confessional so they can right social wrongs on their own.
"For centuries," writes Vanessa R. Corcoran, "attacks on female religious imagery have continued (outpacing vandalism against images of Jesus), and have typically been orchestrated by men."
The Wounded Church develops what Annie Selak describes as a "feminist ecclesiology of injury," an approach that begins with lived experiences of harm rather than idealized visions of what the church ought to be.